JS Aurelius "-165dbm_hz Electromagnetic Eavesdropped 1d-Signal" CS (Dead Gods, 2017)
Electromagnetic experimentation presented raw without regard for editing, composition or mastering.
Album concept and recording.
DISCOGS
JS Aurelius "Emergency Contact Ringtone" CS (Joy De Vivre, 2017)
JS Aurelius "Emergency Contact Ringtone" CS (Joy De Vivre, February 2017)
Archived indefinitely in the Decentralized Library of Alexandria and available for stream/download via the new IPFS peer-to-peer hypermedia protocol.
Artwork: Concept and Design in collaboration with Collin Fletcher
Music: Various broken electronics
JS Aurelius "Goofin' Drones" CS (Alter, 2016)
JS Aurelius "Goofin' Drones" CS (Alter, 2016)
A collection of field recordings and real-time live-coded audio compositions based on algorithms used for spoofing, hacking and otherwise sabotaging GNSS-based unmanned aircraft systems.
Concept, design and music.
Destruction Unit "Negative Feedback Resistor" (Sacred Bones Records-140, September 18, 2015)
Destruction Unit "Negative Feedback Resistor" (Sacred Bones Records-140, September 18, 2015)
Destruction Unit’s ‘Negative Feedback Resistor’ Is a Noise-Punk Endurance Test | SPIN
Destruction Unit Free Album Download | Adult Swim
Art: full album concept and design, including all inserts, promotional materials, limited edition packaging and merchandise.
Music: Guitar, electronics, songwriting and arrangement.
Original source painting by Barry Elkanick.
Marshstepper "Live Laboratório Das Artes, Guimarães" lathe (540 Records, May 2015)
Marshstepper "Live Laboratório Das Artes, Guimarães" lathe (540 Records, May 2015)
540 Records – 540-054, Ascetic House – none
Art: Concept and design.
Music: Guitar, electronics, violin, vocals and performance.
JS Aurelius "A Little Song For The Maimed" Lathe (Gilgongo Records, 2014)
JS Aurelius "A Little Song For The Maimed" Lathe (Gilgongo Records, 2014)
Concept, design and content.
JS Aurelius "We Are The Ones Who Will Die Too Young" digiLP (Acousmatic Industries, 2014)
JS Aurelius "We Are The Ones Who Will Die Too Young" digiLP (Acousmatic Industries, 2014)
We Are The Ones Who Will Die Too Young (i) is a piece written for six pianos, and is a practice in rhythmic phasing. Each set repeats a different pattern for one full cycle, then switches to the next pattern. The patterns are each different lengths, with the lengths and scaling of each pattern being determined according to the the Lucas numbers (2, 1, 3, 4, 7, 11, break).
JS Aurelius / Marie Davidson "Vaste Obscurité / L'Espoir Est..." EP (Neuromodulation, 2014)
JS Aurelius / Marie Davidson "Vaste Obscurité / L'Espoir Est..." EP (Neuromodulation, 2014)
"Electroacoustic music for casual non-instrumentalists in D-flat minor."
Concept, cover design, back design and inserts.
http://www.discogs.com/Marie-Davidson-JS-Aurelius-LEspoir-Est-Mon-Sentiment-Le-Plus-Noir-Vaste-Obscurit%C3%A9/release/6188606
Everything Is Stories 004 "Highways of the Past Journeying: ...Where Our Son Was" Podcast (2014)
Everything Is Stories 004 "Highways of the Past Journeying: ...Where Our Son Was" Podcast (2014)
A story of vanishment and revelation on the road.
Jon Gerwitz's son was born on April 20th, 1988 and kidnapped four hours later. In this story, Gerwitz describes the peculiar circumstances of the disappearance which includes his hometown, a lifelong friend, and the many corridors of Interstate 40. Gerwitz also explains his emotions at the time which ranged from paranoia to forgiveness. 20 years later, he wonders if the whole experience was a coincidence or miracle.
Produced by Garrett Crowe, Mike Martinez, and Tyler Wray.
Soundtrack by JS Aurelius
JS Aurelius "How Does Your Garden Grow?" CS (Chondritic Sound, 2014)
JS Aurelius "How Does Your Garden Grow?" CS (Chondritic Sound, 2014)
Composition for one handed, out of tune piano., 2014
JS Aurelius"Acoustic Mesh Network" digiLP (Acousmatic Industries, 2014)
JS Aurelius"Acoustic Mesh Network" digiLP (Acousmatic Industries, 2014)
In this case, the acoustical mesh network was a group of three computers: an air-gapped, infected victim, an infected relay drone and the attacker. Through the covert use of the infected victims audio speaker, an inaudible frequency containing the keystroke information of the victim computer was transmitted to the relay drone and received by the drones internal microphone. The drone, connected to a wireless network, then forwarded that information via email to the attacker. Finally, the attacker interpreted the information and sent it to Max, which triggered various systems based on keystroke information. The album is intended to be an audible forewarning that seemingly secure air-gapped systems can still fall victim to attack through acoustic means. Filtering the transmission of non audible frequencies, garbling ultrasonic frequencies with white noise and even physically cutting the wire to your computers speaker have been suggested as effective measures to prevent this type of attack.
Destruction Unit "The Holy Ghost b/w Church Of Jesus Christ" EP (Big Love Records, 2013)
Destruction Unit "The Holy Ghost b/w Church Of Jesus Christ" Japan Exclusive EP (Big Love Records, 2013)
Art: concept, cover collage, design and layout.
Music: guitar, songwriting.
Destruction Unit "Two Strong Hits" 7" (Suicide Squeeze Records, 2013)
Destruction Unit "Two Strong Hits" 7" (Suicide Squeeze Records, 2013)
Art: concept, cover photography, back cover photography, logo, layout. Insert photos by Kaleb Marshall.
Music: guitar and songwriting.
Pigeon Religion "Why Do You Hate?" LP
Pigeon Religion "Why Do You Hate?" LP (WARD-9, 2008)
Art: Cover, back and inserts, concept and design.
Music: Drums, songwriting.
